Ezrael ([info]ezrael) wrote,
@ 2008-01-17 22:41:00
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The Arrogance of History
One of the interesting things to come out of my recent overview of the first two years of published Superman stories is to realize how devoid of mythology the character was. Sure, he was an alien, come from the doomed planet Krypton. But Siegel and Shuster seemed totally disinterested in Krypton. All we really knew about it was that everyone there had the same physical gifts as Superman himself... a few strips in the newspaper daily covered the death of the planet, and in them, we saw Jor-L capable of surviving a quake that topples buildings down on him. And then, a few panels later the baby goes in the spaceship and the planet blows up, thus ending Krypton... and really, any interest on the part of the writer and artist in ever seeing Krypton again. Theirs is a Superman of the world they lived in, and it was in that world that they were most interested in seeing him operate.

I've said before that I viewed the original Superman comic books as wish fulfillment, because that's exactly what they are: social wish fulfillment. It's no accident that the first, second and third things Superman always seems to be doing is smacking down bullies, gun-toting mobsters, and those with wealth beyond their needs, especially arms merchants, slum landlords and those that profit from the poverty or death of others. Whether it be crooked oil speculators who don't actually drill for the stuff when they can just keep offering stocks or Emil Norvell, forced to enlist in a foreign military so that he might see his own weapons in action, the Superman of these times is often found punching rich people in the face. Or forcing entire towns to drive more carefully by waging a one man war on each and every bad driver they have. Or destroying slot machines because kids play them instead of going to school.

Their Superman is a science fiction concept, yes, but the science fiction is really just there to allow them license to present their little parables. Their Superman is not so awe inspiring as later ones... he's far more capricious and cruel, for one thing, and just as likely to disguise himself as a washed up, suicidal boxer and help lift the man to the world championship as he is to expose crooked construction kingpins. He brazenly (and at times giddily) defies the police, going so far as to kidnap the mayor of an undisclosed town after smashing into a radio station twice to force them out so that he could make a radio address to the townsfolk. He's certainly good at heart - he'll help young orphans and wrongly abused convicts - but he often does so by convoluted and ridiculous means seemingly just for his own sense of fun. His alien heritage is absent: he's wholly and completely what you might expect from two young men in that time period, a strange mixture of imp and thug who has the power to actually do something about those things he finds objectionable.

All the things that would become so recognizably Superman over the next three decades... the Phantom Zone, Kryptonite, Kandor, the Fortress, Jimmy Olsen, the Daily Planet... none of these things are even in evidence. While Superman is much less potent, his only real adversaries are brilliant, but still human and outclassed by him. There is no real way to prevent him from doing whatever he sets out to do, ultimately. He's much less like a god, and yet, much less regulated or controlled by his milleu. He has no special weaknesses, no flamboyant alien robots or rocket-imprisoned sleeping Kryptonians to battle him. In fact, he is singular and unique, not just the only one of his kind as a last survivor of his dead world, but the only one of his kind period. No one else exists with powers like his. The closest we get is a dwarf hypnotist in the newspapers and a fake indian swami hypnotist in the comics.

This character is alien only as an afterthought. He is most sincerely a creature of his world, because the central pivot of the character is that he wants to change that world, and he can. His wish fulfillment is that of two men who wanted to see things get better, and imagined someone who could actually force them to.



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[info]bluegargantua
2008-01-17 11:55 pm UTC (link)

Original Superman wouldn't have been stymied by this.

later
Tom

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[info]redmondmenace
2008-01-18 01:44 am UTC (link)
Funny, I just watched the Fleischer Studios Superman cartoons from 1941-2, and Superman seems to spend all his time dealing with robots, dinosaurs and natural disasters. Did the comics shift around the same time, or did the cartoons lead the way towards Superman's more fantastic adventures?

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[info]ezrael
2008-01-18 01:56 am UTC (link)
By the end of the collections I have currently (1941, I believe) Superman's main enemies are the Ultra-Humanite, who has his brain transplanted into a woman's body and who blackmails a scientist into working on an atomic bomb (a comic that actually scared our government) and Lex Luthor, who does things like control people's minds with incense and flashing lights and attacks people with floating islands covered in dinosaurs.

So it would be right about that time.

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[info]calamityjon
2008-01-18 07:00 am UTC (link)
Man, I have just completed my study of the first twelve years of Superman stories - serials, cartoons, comics, radio and novelization - and I have to say that you and I are going to MAJORLY disagree on the initial premise of the original Superman stories; wish-fulfillment it may've been, but such a monomythic and romantic structure as has not been seen in any other 20th century fictional figure ...

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[info]ezrael
2008-01-18 07:20 am UTC (link)
See, I'm going by what Siegel and Shuster themselves said. I'm willing to trust them that when they say there's wish fulfillment here, that it's so. I don't disagree that it had monomythic or romantic structure, not hardly, especially once you get a few years in. I especially think it shows in stark relief just how exotic the garden gets by, say, 1950 to look back at those early years (especially before you get scientists swapping brains with movie stars or trying to take over Europe with lava walls that used glowing pinwheel lights) and see just how often Superman serves to, in essence, punch out the things that would most be on the minds of their readership, still on the tail end of the Depression: gangsters, ruthless businessmen and crooked politicians.

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[info]orrin
2008-01-18 04:34 pm UTC (link)
I had a similar experience reading the very earliest issues of Batman, where Batman had, for example, no problem with guns or, seemingly, with killing people.

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[info]themoniker
2008-01-21 12:02 am UTC (link)
Your description of Superman as part-imp, part-thug wish-fulfillment reminds me of his close contemporary, Bill Everett's Sub-Mariner, that pointy-eared and wing-footed mutant hybrid between man and Deep One (Namor's people were originally fish-men from the Antarctic ocean, not the Atlanteans of Stan Lee's later retcon) who so viciously and vigorously waged his one-boy war against the human race, sinking subs, smashing planes and crushing the helmets of deep-sea divers.
We grew up with the image of the Weisinger/Schwartz Superman, an Atlas chained in baroque mythologies who could move planets with a shrug of his shoulders but was bound by inhumanly heroic codes that left him impotent to shift the status quo a single inch. It's refreshing to be reminded that Siegel, Shuster, Everett and their contemporaries weren't bound by the self-imposed constraints of the genre, because they were inventing it.
Speaking of pointy-ears, your description of the weirdness of Siegel's Luthor and Ultra-Humanite reminded me that Seigel later went on to write a British comic called The Spider, which featured an anti-hero criminal mastermind who resembled Namor in appearance (widow's peak, spock ears), wore a costume that resembled a wet-suit, and used a variety of gadgets to fight a collection of truly bizarre enemies (a shape-shifting alien dressed up as a wild-west outlaw was the one I was familiar with).

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